Royal Academy of Arts

Life Room: Anatomy of A Doll

01 - 14 Apr 2017

Installation view of Cathie Pilkington RA with 'Life Room: Anatomy of a Doll'
© Graham Chalifour
Installation in progress of 'Life Room: Anatomy of a Doll' by Cathie Pilkington RA
Courtesy of the artist
Installation view of Cathie Pilkington RA, 'Life Room: Anatomy of a Doll'
© Graham Chalifour
Installation view of Cathie Pilkington RA, 'Life Room: Anatomy of a Doll'
© Graham Chalifour
Installation view of Cathie Pilkington RA, 'Life Room: Anatomy of a Doll'
© Graham Chalifour
Installation view of Cathie Pilkington RA, 'Life Room: Anatomy of a Doll'
© Graham Chalifour
Installation view of Cathie Pilkington RA, 'Life Room: Anatomy of a Doll'
© Graham Chalifour
Installation view of Cathie Pilkington RA, 'Life Room: Anatomy of a Doll'
© Graham Chalifour
Installation view of Cathie Pilkington RA, 'Life Room: Anatomy of a Doll'
© Graham Chalifour
Installation view of Cathie Pilkington RA, 'Life Room: Anatomy of a Doll'
© Graham Chalifour
LIFE ROOM: ANATOMY OF A DOLL
1 — 14 April 2017

Cathie Pilkington RA’s reappropriation of the doll calls into question the figurative tradition in art. Take a tour of her latest project in a unique space where the depiction of the human body has been explored across the centuries.

Known for her unsettling sculptural works, often crafted from an eclectic array of materials and techniques, Cathie Pilkington RA is the Professor of Sculpture at the Royal Academy Schools. This latest project brings her uncanny, doll-like creations into the realm of the RA Schools’ Life Room, traditionally the setting for the practice of drawing from casts and models. Here, their simultaneous beauty and strangeness will be revealed in various stages of completion, accompanied by other bodily fragments and remnants of the creative process.

Characteristic of Pilkington’s practice, in this project the domestic register of toys and ornaments is entwined with the grand canon of sculpture. Inspiration is drawn from a series of small wax dancers by Edgar Degas that were cast only after his death, freezing their transient poses in permanent bronze. Pilkington explores viewers’ voyeuristic tendencies in the presence of these naturalistic figures by revelling in reimagined distortions of form and impossible anatomies.

Join a guided tour led by an RA Schools student, venturing into the hidden depths of the Academy, where you can stand amongst these disconcerting “dollies” and form your own answers to the questions they pose.
 

Tags: Edgar Degas