As Far As The Eye Can't See
02 Nov 2008 - 22 Feb 2009
Pariser Platz, 1951, photographer named Tiedemann, reconstructed by Arwed Messmer 2008, 1,25 x 5,84 meters
AS FAR AS THE EYE CAN'T SEE
Panoramic Photographs of Berlin, 1949 - 1952
November 2, 2008 to February 16, 2009 EXTENDED TO FEBRUARY 22, 2009
The contribution of the Berlinische Galerie to the Month of Photography
After WW 2, rubble clearance had made considerable progress and rebuild had begun, a remarkable photographic inventory was done in East Berlin. By order of the magistrate of the capital of the GDR an -- up to now -- unknown photographer documented central places and areas that were of importance concerning the urban planning in the early 50s. He captured the Pariser Platz and the Schloßplatz area as well as the works on the Walter Ulbricht Stadium or a sand storage area in the outskirts. In order to adequately picture the void and the vastness of the destroyed city as well as the remaining urban structures, the photographer made horizontal turns with the camera and thus produced sequences that -- once brought together -- turned into panoramic pictures.
The concealed quality of these pictures was lately discovered by Berlin photographer Arwed Messmer. By means of digital mounting of the sequences he created synthetic large-size pictorial worlds that show the destroyed Berlin as an empty stage. Thus inspired, the Photo Archive of the East Berlin magistrate, preserved by the Berlinische Galerie and documented in the catalogue “Ost-Berlin und seine Bauten. Fotografien 1945–1990”/”East Berlin Architecture”, was searched through anew. Thus the exhibition operates at the interface between applied photography and new photographic technology as well as between collective memory and an unfamiliar optic experience.
Panoramic Photographs of Berlin, 1949 - 1952
November 2, 2008 to February 16, 2009 EXTENDED TO FEBRUARY 22, 2009
The contribution of the Berlinische Galerie to the Month of Photography
After WW 2, rubble clearance had made considerable progress and rebuild had begun, a remarkable photographic inventory was done in East Berlin. By order of the magistrate of the capital of the GDR an -- up to now -- unknown photographer documented central places and areas that were of importance concerning the urban planning in the early 50s. He captured the Pariser Platz and the Schloßplatz area as well as the works on the Walter Ulbricht Stadium or a sand storage area in the outskirts. In order to adequately picture the void and the vastness of the destroyed city as well as the remaining urban structures, the photographer made horizontal turns with the camera and thus produced sequences that -- once brought together -- turned into panoramic pictures.
The concealed quality of these pictures was lately discovered by Berlin photographer Arwed Messmer. By means of digital mounting of the sequences he created synthetic large-size pictorial worlds that show the destroyed Berlin as an empty stage. Thus inspired, the Photo Archive of the East Berlin magistrate, preserved by the Berlinische Galerie and documented in the catalogue “Ost-Berlin und seine Bauten. Fotografien 1945–1990”/”East Berlin Architecture”, was searched through anew. Thus the exhibition operates at the interface between applied photography and new photographic technology as well as between collective memory and an unfamiliar optic experience.